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It boasts a Dick Dale-type surf-gone-wild guitar solo similar to that on Tarantino’s Pulp Fiction hit, “Miserlou”, but such exhilarating moments are rare on HD2, which ends on a decidedly lame note with “The Man Who Laughs”, incorporating a schlocky string arrangement and, for no good reason, a four-minute drum solo. The Zombieman scores points for including a song called “Werewolf Women of the SS”, which was also the title of the fake-movie trailer he made for the “intermission” during Quentin Tarantino’s exploitation double-bill of 2007, Grindhouse. Sure, John 5 (or 'J5' as he's listed in the lyrics booklet) shows off a little more than Riggs, Zombie's previous guitarist did, but the song still has a bit of that dancefloor.
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Labels: Des Moines, Dragula, Hellbilly Deluxe, Iowa. 'Hellbilly Deluxe 2' starts off splendidly with 'Jesus Frankenstein,' which has a creepy intro reminiscent of 'Call Of The Zombie' from the first 'Hellbilly' album. Email This BlogThis Share to Twitter Share to Facebook Share to Pinterest.
#Hellbilly deluxe 2 images update
Not that there’s anything wrong with that. UPDATE 2: Rob Zombie will be calling his new album Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool. And it seems as if the only reason Zombie wrote “Sick Bubble Gum” was so he could repeatedly chant “Rock motherfucker, rock the motherfucker, rock motherfucker yeah.” And it doesn’t help that he still can’t sing worth beans.Īs a song title, “Mars Needs Women” is enough to brighten the heart of any B-movie fanatic, but the tune itself is bogged down by ponderous power chords and a tedious chorus. While his first post-White Zombie release featured catchy tracks like “Dragula” and “Living Dead Girl”, this latest batch of tunes is fairly lacking in memorable licks and hooks. On Hellbilly Deluxe 2, hard-rocking horror auteur Rob Zombie combines his love of low-budget fright flicks and grinding metal the same way he did on his debut solo album, 1998’s Hellbilly Deluxe. ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, FEB.